There have been a curious set of developments in the last couple of days which are leading to something of a revamp of Sufficiently Cyberpunk. I say revamp. More...mild stylistic changes. We’re not talking News Night 2.0 from The Newsroom, though that analogy has crossed my mind. In a sense, this is Sufficiently Cyberpunk 2.0, but not to the same extent as News Night 2.0.
For some time-honoured context, the shift to SC 2.0 was
triggered by a recent meeting in Bristol. I have mentioned once or twice that I
work for Boston Tea Party. Currently, my illustrious employers have in the
works a company blog. Being a writer and given that I have been banging my head
against a wall for the last two or three years telling my bosses, “Hey, I’m a
writer, I can write stuff for you. Please. Let me write stuff,” it is finally
coming to a satisfying conclusion.
So last Thursday I was at our head office in Park Street,
where along with some of the big-wigs (our heads of Food, Drinks, Marketing and
People – the preferred term to Human Resources – to name a few) we sat down and
talked about how to write an effect blog, true to Boston’s client base. I will
admit, I wasn’t sure what to expect of this but it was a very productive and
informative session. As a result, I am going to try and apply the things
discussed there to this blog. One of them being post length. As much as I am
liable to still ramble, my rambles will hopefully became less essay-like.
More...concise, of a sort. No more than fifteen hundred words. At least that’s
the aim.
Secondly, the titles. Away with the random quotations. A
shame, I admit, but I most also confess that finding quotes for the last couple
of posts has been tricky. They’ve been tacked on the end, instead of forming
part of the conception of the post. Thus, away with quotation titles. Mostly. I
might sneak the odd one in, when appropriate. I also won’t discount the idea of
sneaking quotations into the posts themselves.
Speaking of titles, I should probably elaborate upon
precisely why this first post of SC 2.0 has the title “Music Saves My Soul” and
how it relates to the Boston blog. Simple. The freelance writer leading the session
talked about a Channel 4 documentary called Don’t
Stop the Music, which deals with the importance of music education and the
related campaign by pianist James Rhodes.
First off, I am not a musician. I lack all musical talent.
Any latent abilities in my family went to my sisters, as did a flair for
artistic expression. I got the words, the knack for bending them to my will and
using or misusing them according to whim. But nonetheless, music is something
that I would regard as incredibly important to me. I cannot work without it. A
soundtrack to a movie or TV show can tug at those heartstrings...well placed
music, throughout life, can be a well of emotions, the source from which the
stream of inspiration flows.
Back in 2009, there was a girl I had a major crush on. My
friends conspired to help me do something about this – they arranged for an
evening of television viewing where it would be them, me and this girl. The
idea being I could finally make my move. I was nervous. Bordering on terrified.
I was approaching a moment, a fork in the road where my actions could radically
alter the dynamic this girl and I shared. Before going over to my friend’s house,
I had to calm myself down. I listened to “Aqueous Transmission” by Incubus, to
this day one of the most Zen and chilled songs I have ever encountered. One
that never fails to calm me down. Lying on my floor for seven minutes and
forty-six seconds gave me sufficient resolve to make a move (of sorts). While
this girl and I never went being good friends, we are to this day still
friends.
I also talk a lot about Battlestar
Galactica being my favourite TV show. It’s got spaceships, explosions,
head-frakkin’ storylines and complex characters. But it also has the absolute
genius of Bear McCreary’s score. It really shines through in the second season,
when McCreary steps out from the shadow of Richard Gibbs, composer for the
mini-series who helped McCreary with the season one score. The music is just
perfect, gorgeous instrumentals that are a feast for the ears. “Something Dark
is Coming” from the episode “Lay Down Your Burdens, Part One” is a masterpiece.
In the third season, a particularly delightful treat is “Battlestar Sonatica”.
When it comes to evoking emotions, there’s one track in
particular I will cite. Fair warning, my explanation is likely to contain
spoilers, so look away now if you want to avoid them.
“Resurrection Hub”. From the season four episode “The Hub”.
In the episode, Colonial Fleet pilots, in conjunction with rebel Cylons, attack
the Resurrection Hub, the central nexus for the Cylon ability to download their
consciousness into new bodies – essentially cheating death. At the climax of
the battle, the track strikes up as the Colonial pilots in their Vipers inflict
massive damage on the Resurrection Hub, before firing salvos of nuclear
missiles into it. As the music plays, as the nukes fly and strike,
something...haunting hits you. Whenever I remember the song, as much as I love
it, as much as it is a beautiful piece, there is something so poignant and funereal
about it. Even though these are the Cylons, the bad guys, McCreary’s music
makes me mourn the destruction of the Resurrection Hub.
This post has been a long time coming. I’ve wanted to wax
lyrical about the genius of Bear McCreary’s compositions and it was discovering
the Don’t Stop the Music campaign, hearing someone else talk about the importance
of music to them, that I realised how to say it. Because it’s not just about
Bear McCreary being a genius. It’s not just about the soundtrack to Guardians of the Galaxy being a
masterpiece of 70s and 80s popular music. It’s the impact music has on us, the
emotions it evokes from us, the joy we derive in listening, composing, playing.
So, in addition to waving a flag of geeky appreciation for Bear McCreary,
here’s a flag for the importance of music. Learning to play it and just listen
and appreciate it. Don’t Stop the Music. It’s easy to support. If you have any
musical instruments looking like Halloween decorations from all the cobwebs and
dust gathering upon them, take them along to a local Oxfam and donate it. To
find out how to do more, visit http://www.dontstopthemusic.co.uk
I can’t play an instrument, but when I’m writing, music
saves my soul.
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