Showing posts with label The Writerverse. Show all posts
Showing posts with label The Writerverse. Show all posts

Friday, 18 September 2015

Female of the Species

“Against stupidity the gods themselves contend in vain.” Talbot, The Maid of Orleans. A play by Friedrich Schiller. A line used to great effect in Isaac Asimov’s superb work of science-fiction, The Gods Themselves. All too often a quotation I find unimpeachably accurate about the nature of the Internet troll condition. I almost typed human condition, but I barely rate these morons as human. Even those that attempt to cleverly disguise themselves as such.

I recently read this article on The Mary Sue. It made my blood boil. It touched a nerve about a systemic problem I faced at university, epitomised by a recent article in the fabled British bastion of liberal journalism, The Guardian. A paper I now regard with an edge of scorn because they allowed that particular troll to write such vile click-bait.

The article on The Mary Sue deals with a review on Amazon for a recent sci-fi anthology called Dark Beyond the Stars. The article on The Guardian showed an ignorant outsider labelling Sir Terry Pratchett’s brilliant works of fantasy fiction as “ordinary potboilers”. Arguing that he wasn’t a literary genius at all and people should stop regarding him as such. This kind of thinking is the systemic problem I faced at university – the brazen arrogance of those who sneer at genre fiction because they think it’s too formulaic and because of all its rules, nobody can write anything original. The review at the centre of The Mary Sue’s article went one step further. Instead of the genre being attacked by an outside force that had already made its mind up without any due consideration of the genre’s offerings, a male author has decreed that the females of the species lacks the adequate talent to write skilfully in his chosen genre.

Bull-shtak.

I must beg the readers’ forgiveness now, because I am likely to devolve from civilised discourse into childish demonising and name calling. I’ve learned to develop a thick skin over the literary snob’s disdain for science-fiction, fuelled by one simple truth – I’m good at writing it, so they can suck it. But when those within start attacking each other? That’s when it all becomes a bit ludicrous. When it’s a guy telling women to get back in the kitchen because they can’t write science-fiction? I fetch my shovel and shotgun.

I’m a firm believer that humans can do absolutely anything they put their minds to. Often that sentiment is specifically applied to women, often subjected to archaic, patriarchal limitations, epitomised in the idea that there are things, or jobs, that are “just for men”. That’s frakkin’ bull-shtak. As a result of erroneous statements such as that, I determined very early on that I wanted to write about women doing things most people might think are jobs for men. Starting in 2005, when I wrote a story about a female assassin called Angel, set in 2207 on the red planet known as Mars, not being an object of sexual desire, not a helpless damsel in need of a strong man to rescue her, but a fearsome and formidable killer.

Of course, the offending male author (who I am disgusted to learn is British, he brings shame not only to his genre but my country as well) in The Mary Sue article isn’t purporting that female characters are the problem. No, he is telling us that women can’t write decent sci-fi. To this man, I have this simple message.

Go frak yourself.

Some of the most fearsomely talented writers I know are women and a lot of them I have the privilege to call my friends. One, whom I don’t have that privilege with, but had the incredible fortune to know even for five minutes (yes, I am referring to the mysterious woman discussed in The Garden of Forking Paths and Destiny is not what it seems) wrote a science-fiction novel in her final year of university that overwhelmingly impressed her tutor, a man who doesn’t feel that much of an affinity for science-fiction. She told me that despite his general aversion to sci-fi, the excerpts of her novel she submitted really made him want to read the whole thing.

Women have incredibly important, incredibly beautiful and incredibly insightful voices. These voices should be heard, singing to the rafters, singing to our bones. That a man dares to silence them in such a blatant and condescending manner boils my blood beyond the limits of that which even a Targaryen can endure.

What’s more...it may seem like an extremely petty thing to pick on this guy for, but those who were at university with me know this was my thing. I am a stickler for the rules of punctuation. So when I saw this absolute gem...well, my already non-existent respect for this frakwit took an even deeper nosedive – “Leave the genre to those of us who know how to write scifi, being well versed in it’s many nuances...”

I tell you what, frakwit. Leave the writing to those of us who know how to use punctuation, being well versed in its many nuances.

Looking at the comments attached the review, I am elated to see that the first one picks him up on the very point I’ve just made about his punctuation. The rest proceed in similar veins of highlighting his misogyny, his complete misrepresentation of a genre that was pioneered by women (thank you, Margaret Cavendish and Mary Shelley) and his other grievous error, calling it “Star Gate” as opposed to Stargate, as it should properly be rendered. Ironically, dig into the man’s review history, he reviews the original Stargate movie. I believe, in the common vernacular, he could be called “a poser”. I still prefer to call him a frakwit. Many thanks to Chief Galen Tyrol, deck chief of Battlestar Galactica (BSG-75) for that beauitful word.

To anyone who doesn’t think women can write science-fiction, to anyone who has problems with science-fiction being used a prism through which to examine the social and psychology issues affecting society – including those of sexual identity and gender identity (mentioned in The Mary Sue article, being lamented by a different frakwit) – I say this. Please feel free to vacate this planet at your earliest convenience. You want mindless violence and spaceships? Build some spaceships, fly them to the opposite end of the galaxy and keep out of the frakkin’ way. Ideally, destroy yourselves through mindless violence. Science-fiction is for everyone. To read and to write.

Thursday, 8 January 2015

Je Suis Charlie


Let’s start with the painfully obvious. I’m not an artist, not a cartoonist. A couple of times I’ve talked about The Writerverse, the idea of there being a collective universe that writers inhabit, a community in which we share our creativity and have shoulders to cry on. The other day I posted a rant about European Union VAT regulations, standing in solidarity with artists. Today, I wish to posit the existence of a Creativerse (a horrible jamming together of words, this is a working title for now) as creatives of every ilk stand in solidarity with Charlie Hebdo, victims of a heinous act of terrorism.

Twelve people killed in the attack. All because three men – who don’t deserve to be credited with belonging to a Middle Eastern religion – thought it would make their deity happy to grab a couple of Kalashnikovs and jam down on the trigger. It has provoked some deeply heart-wrenching responses from the wider community of cartoonists and artists, a small sample of which can be found in this Buzzfeed article.

I was born in the tail end of the 1980s, I wasn’t old enough to remember one of the darker aspects of Northern Ireland’s history known here as “The Troubles”. I dimly remember the 1998 Omagh bombing. One thing I can recall is that during the height of The Troubles, your religious affiliation – Protestant or Catholic specifically – could, in certain parts of Northern Ireland, result in some pretty grievous harm upon your person. But no one pointed to the Vatican and said “This is your fault!” No one pointed to the Church of England and branded them as extremists promoting the murder of innocent people. So this part of the post is kind of my disclaimer of sorts. Islam isn’t responsible for this. Three idiots who thought they were acting in the best interests of that religion did this, three idiots whose minds have been twisted by insidious propaganda did this. All because they can’t take a joke. I’m fairly sure their prophet would be able to rise about it. Christians would tell you Jesus would just rise above it. And their religion was responsible for starting countless wars in Medieval times.

There’s a comic from The Oatmeal that sums all this up quite neatly. It carries the fitting title “How to suck at your religion”.

Today I stand in solidarity with cartoonists, artists and creatives of every kind, with the staff of Charlie Hebdo. My thoughts are with the families and colleagues of those lost at Charlie Hebdo and the families and colleagues of the brave officers of the French police. One of the wisest things I read today was from a friend’s friend’s comment on a Facebook post. “Can silence the one. But not the many.” Three men have silenced twelve voices. Thousands more will rise to take their place and will not be silenced.

Wednesday, 15 October 2014

I love garlic bread, I could honestly eat it for every meal

It's a dull and dreary October day. After an unexpected extension of summer into late September, the United Kingdom's weather has finally returned to its status quo of unrelenting rain. On this particular October day, I was running through notifications on Twitter, a platform I rarely use except for when I actually get around to posting a blog update. I find a notification from about two years ago. I look at the drop-down list of blog entries and notice something that makes me want to hang my head in shame and almost makes me want to weep. 2012 - thirty-four blog posts. 2013 - eighteen blog posts. 2014 - five. Throughout this year I've evidently been pretty damn good at pushing things to the back of my mind and saying "Hey, I'll get around to that one day." And it makes me feel shame and want to weep for a simple reason - the decline from thirty-four, to eighteen and then the sudden rocks-fall-everyone-dies drop to five indicates a startling lack of writing discipline.

Today sees a vow to get back on the proverbial horse and smack some discipline into my writing life. I'm going to do that classic thing and set myself a goal of updating once a week. I was once good at that, back in university when I maintained a little blog for the purposes of scoring academic points (I don't think I scored that many). Suddenly, with deadlines and direction, it all falls mildly apart.

ANYWAY.

Wallowing in self-loathing, self-pity, one of the selfs, is not going to endear my writing to the ethereal Internet readership. Sitting my butt down and saying something interesting might. Though given the nebulous, subjective definition of interesting, this is something of a Hail Mary pass. Nonetheless, I shall soldier on.

I would like to say I've been up to a lot in the months of silence. But not really. I've watched a lot of TV, I've indulged in an addiction to a particular video game and I've been shockingly lax in my reading habits. About the only really productive things I've managed is slaving away at my place of gainful employment and proof-reading the first draft of my novel. I have successfully edited the first part now, but the rest of it is still sitting on my desk, waiting. Upon the completion of this post, I will be tackling that particular area in which I have lacked discipline.

As is tradition, I will talk about the things I've been watching and playing. Of course, given the months of silence, the back-dated list runs a little long so I'm going for the top highlights now with an option on further highlights in the coming weeks.

In my last blog entry, I mentioned being excited for a couple of movies. One of those been Guardians of the Galaxy. I was quietly sceptical in the back of my mind, not exactly sure what to expect but also quite hopeful after seeing the trailers and thinking "Hey, Chris Pratt might just be able to pull this off."

He did just that and more.

I ended up seeing Guardians in the cinema three times. Not a milestone by some movie-goers standards who will see a film ad nauseam (if I took a quick poll amongst my friends about how many times they saw The Lord of the Rings trilogy in cinemas I image the numbers would make mine cower in a corner in fear), but for me it's a big deal. Take Avengers. Until I saw Guardians, it was my favourite Marvel movie. Unfortunately, the words of Joss Whedon mildly betray him on this one - I quote from 2012's Firefly Reunion Panel at San Diego Comic Con: "I need spaceships or I get cranky." Avengers had the Helicarrier (which was awesome), but Guardians of the Galaxy had spaceships. And space. And Rocket Raccoon. And Groot. And Drax. And Star-Lord. And Gamora. And...well, it had the whole thing going for it. I fell in love. I have a Guardians of the Galaxy poster adorning my bedroom wall now. Only one of three movie posters I have and only one of two that I paid money for (the other one I paid for being Serenity, still my favourite movie of all time. Joss still wins there).

The other point Guardians of the Galaxy wins on is the soundtrack. There's a bit of a special place in my soul for music. While some of those I knew at university, fellow inhabitants of The Writerverse, shunned music and preferred to work in silence, I cannot abide working without music. Don't get me wrong, there are times when silence is a beautiful thing, where it can speak volumes louder than words ever could. But when I'm working, silence is an incredibly frustrating thing. I'm amazed I survived my exams in secondary school given the levels of enforced silence there.

Moving away from the tangent (and creating a new paragraph just to emphasise the point), the soundtrack to Guardians of the Galaxy is awesome. In my last post I mentioned the joyous addictive quality of Blue Swede's "Hooked on a Feeling". This is but one of the many brilliant tracks on Awesome Mix, Volume 1, the official soundtrack for Guardians. Top tracks from this album include Redbone's "Come and Get Your Love" (played during the credits sequence at the beginning of Guardians, a beautiful and hilarious sequence), David Bowie's "Moonage Daydream", Elvin Bishop's "Fooled Around and Fell in Love" (many daydreams about slow-dancing with that one girl induced by this song, it will have a lot to answer for) and finally, The Runaways' "Cherry Bomb". The whole album is awesome, but these tracks are the favourites.

So, amazing soundtrack (sorry, Alan Silvestri. The Avengers score was great, but you didn't have awesome 80s music to back it up), spaceships and one final, teeny little detail - the film begins in 1988, the year of my birth. It wins points for that, it just does.

Staying in the Marvel spectrum for a moment is a movie now crowned as my third favourite of the Marvel Cinematic Universe - Captain America: The Winter Soldier. Absolutely phenomenal film. Not on the same level of hijinks, action and rib-tickling-ness as Guardians, but then this film is definitely not supposed to be that. It plays as a kick-ass spy thriller/action movie combo and knocks the socks off its predecessor, The First Avenger and deals some pretty spectacular critical hits to its brethren in the MCU. The acting, the action, the whole thing is brilliant from start to finish. It remains in third simply due to my sentimentality and attachments to Avengers and Guardians. I guess I have a thing for the ensemble movies. Bring on Avengers 2.

Next up it's time to talk about television and I'll be staying in the superheroes theme (tenuously) by talking about the recent UK premier of Gotham, the TV show based around James Gordon's rise as a police officer in the brutally corrupt, crime ridden locale of Gotham City. Unfortunately, gushing praise is not forthcoming. I have a few issues with this TV show.

First, I want to preface these comments with the editorial note that I am not massively invested in the DC Comics universe. I enjoy the Batman movies, Christopher Nolan's trilogy being a masterpiece of all the Batman movies to date even if they could have been mercifully cut short by an hour. Man of Steel was okay, had the gritty edge but...well, Superman isn't really about the gritty edge. He's the clean-cut, All-American Hero. Well, if Captain America didn't upstage him at every turn on that particular criteria.

One final preface, I'm going to go into some detail in my critique thus there may be spoilers ahead. Best to turn back now or skip a couple of paragraphs to when I talk about something else. Fair warning has been given.

Anyway, to the critique of Gotham. My first and biggest point is that I wish they had slowed down. Or made it a two-part opening. Great, we were introduced to whole host of characters - The Penguin, identified as Oswald and despising the moniker Penguin. Edward Nygma, the infamous Riddler, is at the moment a forensic scientist with Gotham City Police Department with neatly-hinted at psychological issues. We also saw a teenage Selina Kyle (aka Catwoman) in the opening and at the end. There was also a nice hint towards Poison Ivy, with a young girl named Ivy who seems to be obsessed with tending to plants being introduced as the daughter of a man framed for the murder of Thomas and Martha Wayne. Oh yes, they opened Gotham with the murder of the Waynes and having James Gordon and Bruce Wayne meet. Don't get me wrong, nice dynamic opening, but again this could have been much better as a two-parter.

Now we come to the critique of cast. I was dubious at first about The OC's Ben McKenzie being cast as James Gordon, a role that I'm afraid Gary Oldman has nail-downed so perfectly that beating his performance is a challenge McKenzie isn't up to. He may prove me wrong yet, but thus far I remain unimpressed. Next up is Sean Pertwee. As an actor, I like him. I think he's cool and I was intrigued to see what he would do with Alfred Pennyworth. Maybe I was expecting the poise and dignity that Michael Gough and Michael Caine brought to the role, maybe I'm too set in that being Alfred's manner, but I found Pertwee's Alfred a bit too...colloquial. He addresses people as "mate", shouts "Oi, Master Bruce, get your bloody arse..." (I trail off this quotation as I can't remember exactly how it goes) and so on. I have more hope for Pertwee given his established talent and pedigree, so I will be watching with great interest.

It's not all bad things to say about the casting though. Donal Logue's character, Detective Harvey Bullock, looks set to become quite a complicated character - at least I hope the writers go in that direction. And the casting directors made an inspired choice casting The Wire's John Doman as mob boss Carmine Falcone. So there is some small hope for Gotham, we'll see if it delivers in the coming weeks.

Moving forward on the subject of television, we hit the works of Aaron Sorkin. Part of the reason I can give for my long absence from this blog is having binge-watched all seven seasons of The West Wing and becoming addicted to quite possibly the most brilliant, hilarious and dramatic TV shows he's created - The Newsroom.

Alas, The Newsroom only has three seasons, two of which I have watched. It is the story of Will McAvoy (Jeff Daniels), news anchor for Atlantis Cable News, who doesn't ruffle anyone's feathers or do anything outrageous, until taking part in a Q&A session for journalism students at a university. His tirade about how America isn't the greatest country in the world (seen in The Newsroom's trailers) tears down his middle-of-the-fence image and with a new executive producer at the helm of his news show (Mackenzie McHale, his ex-girlfriend, played by Emily Mortimer) they re-vamp his image. It's a tale of cleaning up news, fighting the sensationalism and spectacle of modern journalism and returning to good old-fashioning reporting. Informing the public of what they need to be informed about.

And it is downright hilarious. There's tons of drama, tension and heart-wrenching moments, but in amongst all that is Sorkin's trademark brand of humour, seen throughout The West Wing and Studio 60 on the Sunset Strip. The Newsroom was aired on HBO and I wager that the third season is either airing or about to soon. Go out there and watch it. It's a thing of brilliance and beauty.

To wrap up this muddling essay, it's time to talk about gaming. But first of all, I'm not going to tackle video gaming. I'm going to talk about tabletop gaming and my introduction in the world of Dungeons & Dragons. It was a strange world I'd heard about a lot during my formative years and a former housemate of mine post-university insisted that I should give it a try because I would love it. In the latter stages of last year/early stages of this year, I participated in my first ever tabletop roleplaying game, a zombie apocalypse game devised by a friend call-signed Jester. He and his girlfriend Harlequin are the ones who sucked me into this world and are respectively Dungeon Masters of their own campaigns. That's right, after an introduction to tabletop roleplaying with a zombie apocalypse game, I was brought into the world of Dungeons & Dragons and now I am involved in not one, but two separate campaigns. Well, I lie. Three. Another member of our party is DM for his own campaign, of which I appear to be a Baron. And essentially party leader. Which I find most curious as I tend to shrug off anything that resembles leadership and responsibility. It's a character flaw.

So there we have it. I have now entered the world of Dungeons & Dragons. On a strangely tangentially related note, my other videogame addiction: XCOM: Enemy Within.

I have previously touched upon the subject of XCOM without going into much detail. A squad-based, turn-based strategy game set around an alien invasion of Earth where you also have to manage the resources of your central base, assign research, etc., it has proved to be very addictive. Currently I have embarked upon my sixth playthrough and it would appear to have infinite replay value. Many of the missions are randomly generated, but there are some fixed missions. But within those, the enemies themselves are randomly generated. Thanks to this, even though I know the layout of 90% of the maps used in every mission, the random generation of enemies means I am always on my toes. Suffice it to say, I highly rate this game and would recommend it.

I feel that now is a logical time to wrap up for today. Next week I will babble again, about what I do not know, but I'm sure I can dig something up that will be worth talking about. Before I go, the time-honoured context for title has been left until last (because it wasn't until now that I came up with the title). It's very tenuous, but put simply I had garlic bread as part of my lunch. Thus I quoted Scott Pilgrim vs. The World. Not very exciting as context goes, but there it is. Until next time, I leave you all with a favourite musical number (which I have posted before. But I'm going to do it again anyway, repetition be damned!)

(Song of the Mind: Battlestar Sonatica - Bear McCreary).

Tuesday, 31 December 2013

Time...Doctor Freeman? Is it really that...time again?

Custom dictates that I spend the first paragraph after a lengthy silence explaining what exactly has caused said silence. Well. It's been more than a little bit of a lengthy silence. In fact, I haven't babbled at anyone about anything since the end of September. Which is really where this all begins. But first of all, I wish to attribute the quotation title - the magnificent G-Man from the Half-Life series of games. This quotation specifically from Half-Life 2. Though I suspect a great number of you already figured that part out by now. So, without much further ado, time to explain where I've been the last few months. Just to warn you, it's not terribly exciting...

Anyway...

I think the most dramatic way to phrase it would be to say that I've been immersed in The Writerverse. Immersed...I like that word. Don't use it often enough. Ahem. Moving swiftly on. Okay, so a long, long time ago, in a blog post far, far away I talked about the notion of The Writerverse. I babbled quite a bit about my journey through The Writerverse, where I was going, how I was getting there. That was June 2012. An awful lot has happened since then.

One of the most important things I talked about in that blog post was the sense of...fundamentally interconnected community there is in The Writerverse. There is a great community of writers I know from my days at university, but I have also met some in the course of my current paid vocation. That being a front of house dancing monkey/jack of several obscure responsibilities at Boston Tea Party Bath. In the course of my work, I met an awful lot of interesting, bizarre, wonderful people. Oft it is said that my job is a brilliant job for a writer, all those characters. I can't help but have horrible flashbacks to Daisy Steiner in Spaced*...

(*Author's Disclaimer: I really, really love Spaced. It's awesome).

Anyway, getting on with it...

Over the many years I've slaved away at Boston Tea Party, there have been a gaggle of steadfast regulars. Some have gone to my lament, leaving me with no one to write nerdy quotations on the side of their cup for. Some have remained throughout the years and it is one of these men I speak. He is a gentleman by the name of David J. Rodger, a fellow science-fiction author, though he beats me on account of being published. I'm still pining for the fjords on that one. Anyway. One fateful day, 24th September I suspect, which is funny to me for various reasons, I'm chatting with Mr Rodger as he sips at his dark side coffee, talking about his rush of writing/re-writing short stories (for further info, check out his website, look up his page David J Rodger on Facebook. Including a link to that but not sure it'll work, but you all get the gist). In the course of discussions over his recent flurry of activity, I mention my months and months of inactivity. I mention potentially going back over short stories I'd written a long time ago, wanting to rip apart the ones I did in my teens and put them back together again with the skills I have now. I say all this in that off-hand, "Yeah, maybe one day" kind of voice. I am promptly informed that I should get frakkin' to it (no one but me says frakkin' though, alas) and near ominously, Mr Rodger informs me that he is now officially on my case.

I cannot tell you how important and motivating that was. The next day, I come to work armed with a short story I wrote at the beginning of 2012 and many told me I should expand into a novel. I showed it to David, he skimmed it, came back to me and told me I could easily cut the 8,000 word story down to 2,000 words. We agreed upon a deadline of next week to regroup with a finished, 2,000 word short story. When I finished work that afternoon, I returned home, sat down and using David's suggestions on how to condense the story, blitzed through 2,000 words. Upon its completion I sat back, let out one of those "Holy crap, I just did that!" sighs (might be embellishing slightly here) and realised to my complete and utter surprise, I had just written the chapter one I had been wanting to write for so long. Not contended to just sit back and write that, I launched into chapter two, completing 1,000 words before I succumbed to the need for sleep. I printed off the triumphant chapter one and reported to David the next day. Suffice it to say, my improvements met with his approval.

Over the next couple of months, whenever David drifted into work for his dark side coffee, I would report my progress and if there was an lack of progress, an explanation of why and what the frak I was planning to do about it. Finally, on the night of Sunday, 29th December 2013, it all came to a head. 109,894 words later, the first draft of the novel was finished.

While it might somewhat go without saying, (a funny turn of phrase, since it is always proceeded by that which allegedly doesn't need to be said) I owe a rather huge debt of gratitude to David J Rodger for giving me the push in the right direction I so sorely needed. Undoubtedly, should my book ever be published, much kudos will go to him in the acknowledgements at least. Fun fact though, I appear in the acknowledgements of his book The Social Club, as do several of my Boston Tea Party colleagues for our coffee fuelling services.

So there you have it. For the last three months, I have forbidden myself from writing anything but the first draft of my novel. I'm taking a brief break, then conning people into proofreading it before moving on to the massive editing process. And while I await feedback, I intend to be working on some short story notions I have brewing, as well as work peripheral to the novel.

Now in my three month silence, many things have happen, TV shows and movies watched, etcetera, but for me the biggest thing, the thing that I must note because it is so frakkin' worthy of it, is the tenth anniversary of the re-imagined Battlestar Galactica.

I marked the occasion with a rather nerdy status. I used the words "So Say We All", which I can barely do with a straight face. A fact that became so much worse when I discovered a parody video of Katy Perry's song "Fireworks" on YouTube, entitled "Cylon". It's incredibly catchy, really rather awesome from the perspective of a Galactica-obsessive. Also sung by a beautiful redhead, who evidently loves Galactica and is also British. Knowing my frakkin' luck or lack thereof, she's on the other side of the country with a boyfriend who possesses ten-megaton biceps the size of Belgium with which to crush my puny mortal frame. Still the biggest Galactica nerd in Bath, just not the country it seems.

Oops, think I digressed from the point there.

Back on track now that I have publically sealed my own doom, suffice it all to say, I want to make a big deal of Battlestar Galactica's tenth anniversary. On the tenth anniversary of season one's first broadcast, I may even have my own little Colonial Day. Oh and Quantum Mechanix are so on my wavelength (or I on theirs, depending on existential perspective), because they are releasing a tenth anniversary print in celebration, much as they did for Firefly. Honestly, I squealed like a giddy school child when I saw it. I will be obtaining it, framing it (octagonally) and putting it up right next to my framed Firefly print. Must also get my Map of the Twelve Colonies of Kobol octagonally framed too.

Anyway, with some level of mercy, we have reached the end of today's babble. As it is the 31st December 2013 when I write this, I wish everyone a Happy New Year. A 2013 retrospective will appear soon, as will a review of Iron Council once I've blitzed my way through the last thirty-odd pages. Been resisting that too because I knew I'd want to blog about it straight away.

Right then.

Ladies and menfolk, Cylons and Colonials, Happy New Year. May 2014 bring us all good fortunate, be it in a clever disguise or glaringly obvious.

So say we all.

(Almost had a completely straight face that time...)

Monday, 3 December 2012

You were my sire, man! You were my...Yoda!

Today I'm going to be doing something a little bit different. Well, kind of mixing things up a little. Something from Column A and something from Column B. On this particular day, Column A is similar to a little something I did back in June. Anyone remember this little gem? I talked a lot here about being a writer, about the community of writers that exist in this wonderful world of ours. Or, as I called it, The Writerverse. It is in the name of The Writerverse that I commence babbling this particular eve.

The quotation in the title is a reference to one specific writer. Her callsign is Spike. As a fellow fan of Buffy the Vampire Slayer, it was only fitting to name her after one of the most awesome characters from the series. Especially as she is, in some respects, my sire. If it weren't for Spike, I may never have discovered that I enjoyed dancing. Going out...having fun. Having that funny odd thing called...a Life.

So there it is. She is my sire, man.

Anyway, Spike is a fellow alumnus from university. In the intervening years between graduation and now, my sire's been up to a lot of very productive things. Take her blog, Review Diaries. I was about to say for example. I wouldn't say for example. I'd say this is pretty big really. While I'm here babbling every which-a-way about all the geeky sci-fi things I love and occasionally talking about awesome books in a vaguely review-like context, she's been solidly reviewing all of the things she loves. And has become something of a big deal in the blogging circles for Young Adult publishing. So much so, she's made it into the top ten for a competition to become the new in-house blogger for Mira Ink Publishing.

Now, this is where we get to the substance of this ramble. Round two of the competition involves making a video, posted to YouTube, wherein the finalist explains what makes them so perfect to be the new voice of Mira Ink Publishing. In this very, very energetic video, Spike very awesomely explains why she is the best choice. To further convince the judges of this...well, this is where we need the good will of you, the gracious people of the Internet. Watch this video. Like the video. Share the video. Rinse and repeat. Ensure that your friends do the same thing. That random kid who walks past Ebenezer Scrooge's house in A Christmas Carol, make sure he does it too.

So there you have it. My sire is awesome. Help her prove it to the Mira Ink judges. Like and share the video. Pretty please!

Lastly, there's the Column B ramble. It's slightly sire related. For this, my sires are Thief and Dragon. And the GRRM Reaper himself, George R.R. Martin. You see, reading the Song of Ice and Fire and a lot about all of the awesome dragons, I actually found myself listening to the whispers of dragons in The Elder Scrolls V: Skyrim. I found myself reading up more, investigating the game more and being very tempted to buy it.

Finally, last week, during Steam's autumn sale, I caved. I mean, Skyrim and both DLC add-ons for £26 when the non-sale price is £34.99. Pretty good deal. And now, as a result of this, I am incredibly addicted. Well, maybe not incredibly as instead of spending every waking moment playing Skyrim I'm babbling here, but hey-ho. I'm finding it to be a very compelling game. Don't know how far am I at the moment. So far, I'm a level eleven Dark Elf with a particularly speciality for burning things. What can I say. I like fire. It works for me.

That's the news from my end of the worlds so far. In summation, dear readers, I'm hooked on Skyrim and please, please help out my dear friend Spike.

Also, totally indulging in some old school music from the 90s. To whit...

(Song of the Mind: My Favourite Game - The Cardigans)